논문검색 KOREAN ASSOCIATION OF VIETNAMESE STUDIES

eISSN: 2733-90284 / pISSN: 2005/5331

한국베트남학회 학술대회, (2023)
pp.68~83

- PHÂN TÍCH CÁC YẾU TỐ LỊCH SỬ CHÍNH TRỊ ẢNH HƯỞNG ĐẾN VĂN HOÁ ĐẠI CHÚNG HÀN QUỐC THÔNG QUA VIỆC QUẢN LÝ ÂM NHẠC DƯỚI THỜI TỔNG THỐNG PARK JUNG-HEE -

La Duy Tân

(TS. Trường Đại học Văn Lang, Việt Nam)

Phùng Thị Thanh Xuân

(TS. Trường Đại học Khoa học Xã hội và Nhân văn, Đại học Quốc gia Thành phố Hồ Chí Minh, Việt Nam )

Trần Minh Quý

(TS. Viện quy hoạch xây dựng thành phố Hồ Chí Minh, Việt Nam)

Today, when reiniscing the achievement of Korea’s economic development over the past decades, it is easy to find positive recognitions of President Park Jung-hee's national management throughout the 60s and 70s. Similarly, when assessing the success of Korean populace culture worldwide, very few would expect that the forerunner of the appealing entertainment industry was once restricted for the protection of political stability. The policy of banning popular music was influenced by the policy of suppressing Korean culture during the Japanese colonial period. Songs that are banned due to its negative effects are called keumjikok (prohibited song), which restricts the singer's artistic activities consequently. This paper is written to study mainly on the process of forming and implementing the policy related to keumjikok. Thereby, the authors attempted to historically present the societal and political features of Korea during President Park Jung-hee period.

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